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Tuesday, March 24, 2015

WEEK 11: MARCH 25

THIS WEEK:

In class:
ARTIST/ALTER presentation
Discuss reading, "Scattering Selves" by Lucy Lippard (on blackboard) and hand in reflections
Small-group/independent work time
One-on-one meetings with instructor

Homework:
Due April 1:
Next Week, we will have a combination of small group presentations and in-class work time. Please continue to make work as your alter. Please continue making work as your alter. I will be checking in with you and you will be checking in with yourselves. Be adventurous! Don't like your alter? This is an opportunity to change him/her/them/it/etc. Keep a record of everything you do, I will want to see it.

Due April 8:
Prepare your work for presentation for critique. You are to select one element of the research you have been doing over the past few weeks to deepen and refine into work that you will present for critique. You will present this more concentrated work alongside any other collateral information you desire. For example, you may choose to select one video to show from your alter's youtube channel, but you will still want to show us the range of what you've been up to. Perhaps your alter has been writing. You may choose to perform a selection of those works live, but also show us the blog where your alter's writing has been hanging out.

You may choose any medium or platform to present your work. Anticipate 5-10 minutes to present/experience you work, followed by 5-10 minute conversation about your work (expect 15 mins MAX per person). Consider performing live, though this is not a requirement.

Please upload works you will be presenting to the server. Please email me any links to online content.

Critiques begin April 8.

Reminder:
Due April 15:
Screen Persona (1966) directed by Ingmar Bergman (viewable on hulu.com as part of the Criterion Collection) and read Persona by Susan Sontag (on blackboard).  Do these both on your own time, and write a response to the following prompt:
Susan Sontag introduces “doubling” as one of the major themes of this film. In your own words, how does Bergman use doubling as a cinematic device? To what ends? Be sure to address the structure, characters, and visuals. This is not a book report or movie summary; so be bold. Offer your own critical analysis and ideas. Write three well constructed and thoughtful paragraphs. Support all opinions with concrete examples. Feel free to reference any other material introduced in class or other relevant examples. Bring a printed hard copy to class to turn in. 

Notes:
Be sure to check blackboard for an updated syllabus for the second half of the semester (the previous version omitted one week!). Our last class meeting will be on Wednesday, April 29th, time TBD. As always, be in touch with questions or issues.

Monday, March 16, 2015

WEEK 10: MARCH 18

THIS WEEK:

In class:
Introduce our new unit: Persona (A Character Study)
Screen Youtube videos by Alter Egos
Screen: Paris is Burning (1990), directed by Jennie Livingston

Due Next Week:
  1. Record images, videos, and text for 7 consecutive days as your alter-ego. You may choose to continue using your youtube video, or choose a different platform upon which to document your alter-ego.
  2. Read Scattering Selves essay by Lucy Lippard. Bring written reflection (three questions, one paragraph creative response) to class.


Notes:
All readings and an updated syllabus through the end of the semester are available on blackboard.

Monday, March 2, 2015

WEEK 8: MUSIC VIDEO CHALLENGE

Monday/Wednesday class:

Today is your MUSIC VIDEO CHALLENGE!

Last week, you were divided into groups. For homework, you prepared and original song. Today, each group will have 4 hours to shoot, edit, and present a music video for your original song. We will screen the videos together at the end of class. At the screening, everyone will vote for their favorite video, and that band will be the awarded the privilege of knowing that your group is the AUDIENCE FAVORITE of the challenge.

REMINDERS:
- Develop a solid concept for your video before you begin shooting and editing. It doesn't necessarily need to have anything to do with your song, but it should be able to stand alone as a video.

- Be adventurous and experimental! Many artists, filmmakers, and videomakers begin making names for themselves (and money) making music videos. Take risks! Don't rely on convention! Be wierd!

- Because your song is the soundtrack for this video, you do not need to be concerned with the recorded sound from today. You will delete the diagetic audio from today in editing.

- When shooting "singing," lip-sync. You can experiment with slo-mo and speeding up the video by experimenting with the speed of the song/performance while recording, and then changing it in post-production. For example, if you want a slo-mo effect of someone singing the lyrics at the correct speed as the song, increase the speed of the performance by 50%, and then slow it down by 50% in editing.

RESOURCES:
LOCATIONS: We have access to the two lighting studios in the basement of Shaffer for shooting "studio" footage. You may use any location (seek permission if necessary), except your dorm room.

CAMERAS: I have checked out Canon HFR30 Camcorders for you to use. However, you may choose to shoot with any device.

APPROPRIATING VIDEO: You may choose to use Download Helper, a firefox plug-in, to appropriate found video footage (for educational and fair use purposes) from sites like youtube, etc.

EDITING: You will edit your videos in Adobe Premiere Pro. After the first hour of class, I will be available to offer hands-on help with Adobe Premiere Pro and Download Helper.

SOME EXAMPLES:
Sleater Kinney: Bury Our Friends
Sia: Chandelier
Yoko Ono: Bad Dancer
Chicks on Speed: Utopia
Missy Elliot: Supa Fly
Pussy Riot: I Can't Breathe

Grace Jones: Slave to the Ryhthm
Peter Gabriel: Sledgehammer
Bongwater: Power of the Pussy
Le Tigre: TKO
TV On the Radio: Golden Age
Oren Lavie: Her Morning Elegance
Bjork: All is Full of Love
Ok Go: This Too Shall Pass

Lana Del Ray: Video Games
Rage Against the Machine: Testify
Peaches: F-ck The Pain Away
N.E.R.D.: Life as a Fish